展现一个时代的变迁，不仅需要炫目的超级工程，还需如同你我的普罗大众的个体感受。《落脚城市》就是将时代之下的个体体感记录下，为这个时代注上更有温度、更触动人心、更准确的注脚。

在极度寒冷的所在，一粉一绿两个小人展开拼命搏杀。粉人从高高的悬崖上方跳入大海，随后以极快的速度向另一块陆地的绿人攻打过来。绿人不甘示弱，在手中形成了能量波还以颜色。双方你来我往，战况激烈，硕大的岩石如同豆腐一般被炸得粉碎，超高的热量几乎将大海煮沸。在一连串密不透风的强势打击下，粉人几乎没有任何还手之力。灾难般的战斗并未就此结束，几乎毫发无伤的粉人从废墟中站起，并以更胜一筹的实力对绿人施以压倒性的打击。 　　没有任何理由，两个不知名的战士在荒野展开殊死搏杀……

Three men kidnap a young girl and keep her in a small house on an isolated beach, waiting for her father to pay up the ransom. But the youngest one, in charge of watching her, let accidentally the girl see his face and it becomes no longer possible to return her alive...

Facing immigration issues, a couple must confront fears of rejection or risk losing each other.

Facing immigration issues, a couple must confront fears of rejection or risk losing each other.

机器人和婆婆一起，一边打到敌人一边踏上旅程的主人公，在不知道什么地方，现在「now」和这里「here」了连起来。

A filmed version of the original stage production Nowhere which was commissioned by the National Theatre of Greece to inaugurate its renovated Main Stage in 2009. Nowhere was conceived as a site-specific project. The scenic space itself was choreographed by programming the new stage mechanisms. A group of humans confronted the spatial challenges created, measuring space with their bodies. Nowhere was performed twice daily in overlapping shows, bringing the audiences face-to-face. Nowhere is a thought about the very nature of theater, as a machine that mirrors human life. The filmed version of the central scene (dedicated to the memory of Pina Bausch who had just passed away), was published seven years ago, in June 2014, and went viral with over 2.5 million views. (源自: TIDF 2024)

闇の仕置き人・鬼頭清次は榊組組長の未亡人・美沙と出会う。美沙は榊組を解散し土木会社を設立する。工場現場が何者かによって爆破された。鬼頭は、爆破事件の生き残り・菊池から驚愕の事実を打ち明けられる……。

夜晚，巷道内警戒线围起，张霖查看面色苍白、死状恐怖且周边被呕吐物弄脏的尸体，傅北辰赶到。报案人为烧烤店食客，因醉酒呕吐时发现尸体，不慎翻动且吐在死者身上，现场遭破坏，又逢下雨，线索难寻。法医判定死者为窒息性死亡，凶器可能是绳索。傅北辰主动扩大排查范围，张霖提及案件与刘蕾案相似，傅北辰陷入沉思，随后冒雨驱车回市局。深夜警队会议室，傅北辰介绍死者刘俊情况，案发现场摄像头毁，死因为机械性窒息，与金店劫案手法雷同。视频显示刘俊撑伞进巷后用信号干扰器干扰，导致监控的画面丢失。傅北辰疑其参与金店劫案，因劫匪逃逸时监控遭到破坏，推测劫匪导致刘俊死亡，案件侦查全面开启，众警决心深挖真相，为受害者讨回公道。